Surging Utah Jazz hold off Devin Booker, Phoenix Suns


Donovan Mitchell and the Jazz have now gained 8 of their final 9

Utah Jazz middle Rudy Gobert (27) drives on Phoenix Suns middle Deandre Ayton (22) throughout the first half of an NBA basketball recreation, Sunday, Feb. 27, 2022, in Phoenix. (AP Photograph/Matt York)

Phoenix • Donovan Mitchell scored 26 factors, Rudy Gobert added 16 factors and 14 rebounds and the Utah Jazz stayed sizzling with a 118-114 victory over the Phoenix Suns on Sunday.

Utah has gained eight of its previous 9 video games and improved to 38-22. Phoenix — which nonetheless has the perfect file within the NBA at 49-12 — has misplaced back-to-back video games for the primary time in two months.

Utah’s been a little bit inconsistent this season, however is taking part in nicely now that its deep roster is generally wholesome. Jordan Clarkson had 22 factors on 10-of-17 capturing — a part of the Utah second unit that performed nicely and outscored Phoenix’s bench 43-11.

The Jazz used a 16-3 run late within the third quarter to take a 94-89 benefit heading into the fourth quarter. It stayed tight all through a lot of the closing minutes however the Jazz had been capable of maintain their lead, helped by Mitchell’s banked-in 3-pointer with 1:50 remaining that put them up 10.

The Jazz shot 17 of 40 (42.5%) from 3-point vary. Mitchell made six of them.

Devin Booke led Phoenix with 30 factors. Cameron Johnson and Deandre Ayton every added 23. Phoenix had an opportunity to tie the sport within the closing second, however Jae Crowder threw the ball out of bounds.

Phoenix has performed its previous three video games with out All-Star level guard Chris Paul, who broke his thumb on Feb. 16 and could possibly be out the remainder of the common season. The Suns have a 1-2 file in these video games.

The Suns rallied for a 60-56 halftime lead after trailing for a lot of the second quarter. Ayton had 17 factors on 8 of 10 capturing earlier than the break whereas Mitchell scored 11 for the Jazz.

TIP-INS

Jazz: Rudy Homosexual performed Sunday after lacking the earlier six video games with proper knee soreness and a non-COVID sickness. … Gobert had a season-high eight offensive rebounds.

Suns: Made 10 of their first 11 photographs, scoring 24 factors within the first six minutes of the primary quarter. … G Aaron Vacation returned after lacking one recreation with a sprained ankle. … Welcomed their 18th straight sellout crowd to the Footprint Heart.

UP NEXT

Jazz journey to play Houston on Wednesday night time.

Singer-songwriter Mitski brings surging energy and emotions to ‘Laurel Hell’ : NPR


Mitski claims new floor on her sixth album, spreading herself throughout totally different sorts of pop music with every new track. The result’s extra diversified than something she’s created to this point.



DAVE DAVIES, HOST:

That is FRESH AIR. The singer and songwriter Mitski made one of the vital acclaimed albums of 2018. It was known as “Be The Cowboy,” and it appeared on lots of year-end greatest lists. However quickly after its launch, Mitski introduced she was achieved with touring and maybe making music. Thankfully for her followers, she determined over the course of a pandemic lockdown that she wished to make one other album. This new one, her sixth, is known as “Laurel Hell,” and it debuted at No. 1 on Billboard’s album gross sales chart. Rock critic Ken Tucker says it is extra diversified than something Mitski has but created.

(SOUNDBITE OF SONG, “THAT’S OUR LAMP”)

MITSKI: (Singing) We fought once more. I ran out of the condo. You say you’re keen on me. I imagine you do. However I stroll down and up and down and up and down this avenue ‘trigger you simply do not like me, not such as you used to.

KEN TUCKER, BYLINE: That is Mitski working out of her condo after a spat, deciding that the particular person she’s with might love her however does not actually like her anymore. The distinction between loving and liking is, in fact, a vital distinction continuously being monitored in any relationship. On her new album, “Laurel Hell,” Mitski observes and analyzes distinctions with a superb diploma of subtlety, which isn’t to say that she’s at all times so contemplative. On “The Solely Heartbreaker,” she turns into a disco queen, crooning in a cross between ABBA and Donna Summer season.

(SOUNDBITE OF SONG, “THE ONLY HEARTBREAKER”)

MITSKI: (Singing) If you happen to would simply make one mistake, what a aid that will be. However I believe for so long as we’re collectively, I will be the heartbreaker. I will be the one heartbreaker. I will be the one heartbreaker. So I am going to…

TUCKER: The lyrics of “The Solely Heartbreaker” state particularly a story technique she pursues in numerous songs right here. I will be the dangerous man within the play, she says. At a time when a lot popular culture is suggesting that photos of girls must be optimistic ones, Mitski says, wait a minute. There are occasions in my life once I wasn’t the great man. I screwed up. I made errors and damage individuals. This insistence upon emotional complexity provides a vital unpredictability to lots of her greatest new songs.

(SOUNDBITE OF SONG, “LOVE ME MORE”)

MITSKI: (Singing) If I preserve myself at residence, I will not make the identical mistake that I made for 15 years. I could possibly be a brand new woman. I will probably be a brand new woman. I want that this could go away. However once I’m achieved singing this track, I must discover one thing else to do to maintain me right here, one thing else to maintain me. This is my hand. There’s the itch, however I am not imagined to scratch. I want you to like me extra, love me extra, love me extra. Love sufficient to fill me up, fill me up, fill me full up. I want you to like…

TUCKER: I like the surging vitality of that track, “Love Me Extra,” and I like this line in it. Once I’m achieved singing this track, I am going to have to search out one thing else to do to maintain me right here. Mitski dramatically expanded her fan base singing in a low, haunted voice all through a lot of her earlier album, “Be The Cowboy.” One other key facet of “Laurel Hell” is that her tone varies a lot extra.

(SOUNDBITE OF SONG, “SHOULD’VE BEEN ME”)

MITSKI: (Singing) Properly, I went by my checklist of associates and located I had nobody to inform of this overwhelming, clear feeling, unusual serenity. Once I noticed the woman – appeared identical to me – and it broke my coronary heart the lengths you went to carry me, to get to have me – ‘trigger I have not given you what you want. You wished me however could not attain me. So that you went into your reminiscence, relived all of the methods you continue to need me. I have not given you what you want. You wished me however could not attain me. I am sorry. It ought to’ve been me.

TUCKER: From track to track, I hear the echoes of girls who preceded her – the smile-though-my-heart-is-breaking croon of Diana Ross, the full-throated accusations of Dusty Springfield, the hovering bliss of Anne Murray. Then I hear Mitski herself claiming new floor just like the mountain laurel of the album title, spreading herself throughout increasingly more sorts of pop music with every new track.

DAVIES: Ken Tucker reviewed the brand new album from Mitski known as “Laurel Hell.” If you would like to compensate for interviews you’ve got missed like our dialog with Quinta Brunson, creator and star of the collection “Abbott Elementary,” or with journalist Erich Schwartzel about how Hollywood studios are tailoring their movies to keep away from offending the federal government of China to allow them to faucet the Chinese language market, take a look at our podcast. You will discover numerous FRESH AIR interviews.

(SOUNDBITE OF STEVE REICH’S “VARIATIONS FOR VIBES, PIANOS, AND STRINGS: SLOW”)

DAVIES: FRESH AIR’s government producer is Danny Miller. Our technical director and engineer is Audrey Bentham with extra engineering assist from Adam Staniszewski. Our interviews and opinions are produced and edited by Amy Salit, Phyllis Myers, Roberta Shorrock, Sam Briger, Lauren Krenzel, Heidi Saman, Therese Madden, Ann Marie Baldonado, Seth Kelley, Kayla Lattimore and Joel Wolfram. Our digital media producer is Molly Seavy-Nesper. Thea Chaloner directed in the present day’s present. For Terry Gross, I am Dave Davies.

(SOUNDBITE OF STEVE REICH’S “VARIATIONS FOR VIBES, PIANOS, AND STRINGS: SLOW”)

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